Whether Brodsky, Stadlen, and Flinn formed a partnership in fact despite having no written partnership agreement.
Holding
No. The evidence established an employer-employee relationship between Brodsky and Stadlen, not a partnership.
Reasoning
Because no written partnership agreement existed, the court looked to the parties' conduct, intentions, and actual relationship. No single feature decides whether a partnership exists; relevant considerations include profit and loss sharing, ownership of assets, joint control and management, liability to creditors, intent, compensation, capital contributions, and loans to the venture.
The credible evidence showed that Brodsky was paid as an employee: he received a fixed weekly salary during the show's run and was entitled to 2% of gross profits. His work as attorney, office manager, and general manager did not itself give him the status of a co-owner.
There was no indication that Brodsky agreed to share the enterprise's losses, jointly controlled its management, owned its assets, or bore liability to its creditors. Those missing ownership attributes weighed strongly against recognizing a partnership.
Brodsky advanced money for the production, but Stadlen repaid it. The court treated that arrangement as a loan rather than a capital contribution, and noted that loans made for a business purpose during the claimed relationship generally negate an inference of partnership. Brodsky's lack of a capital contribution likewise supported the conclusion that no partnership existed.
Documents referring to Diana Enterprises as a partnership did not control. Merely using the word "partnership" does not create one, particularly where the defendants did not intend to share joint management and control with Brodsky. Flinn's limited role—primarily directing the play before its first performance, with no management decisions—also undermined the claimed three-person partnership.